CINEMAscopeHamptons

July 15-17, 2005

230 Elm Street
Southampton, New York 11968

That Uncomfortable Place Between Beginning and Ending.

Curated by Lee Wells

Curatorial Advisors

Agricola de Cologne of the New Media Art Project Network (Cologne, Germany)

Timo Mank of the Archipel MediaLab (Ameland, Netherlands)

Ed Marszewski of Lumpen / Select Media (Chicago, US)

Trong G. Nguyen (New York, US)

Melissa Schubeck of Joymore (Brooklyn, US)

Total Runtime / 60 minutes

Andrea Ackerman (US) Breathing Rose / 2003 / 30 sec. Courtesy of the Artist Sheila and Nicholas Pye (Canada) The Paper Wall / 2004 / 10:30 min. Courtesy of the Artists Constant Dullaart & Anne de Vries (Netherlands) Zakje / 2005 / 1 min. Courtesy of the Artist Curated by Timo Mank Jillian McDonald (Canada) Screen Kiss / 2005 / 6:00 min. Courtesy of the Artist Curated by Trong Nquyen Margarida Paiva (Portugal) No Subject / 2004 / 3:00 min. Courtesy of the Artist Curated by Agricola de Cologne Laurent Montaron (France) The House of Dr. Marot / 2004 / 4:00 min. Courtesy of the Artist and LMAK Projects Curated by Melissa Schubeck Jason Archer-Paul Beck (US) Homeland Hodown / 2005 / 2:00 min. Courtesy of the Artist Curated by Ed Marszewski Dick Tuinder (Netherlands) Ulysses / 2005 / 5:30 min. Courtesy of the Artist Curated by Timo Mank

Ned and Shiva Productions (US) Salton City / 2004 / 4:00 min. Courtesy of the Artist Critical Art Ensemble (US) Evidence / 2005 / 5:00 min. Courtesy of the Artist Jerelyn Hanrahan (US) Water / 2002 / 30 sec. Courtesy of the Artist Alexander Reyna (US) Untitled 1-4 / 2005 / 4:30 min. Courtesy of Pablo’s Birthday Gallery Agricola de Cologne (Germany) Truth - Paradise Found / 2004 / 3:00 min. Courtesy of the Artist Miroslaw Rogala (Poland) Artificial Intelligence / 2005 / 5:00 min. Courtesy of the Artist Mary Mattingly (US) I Die Daily / 2005 / 5:00 min. Courtesy of the Artist Marten Winters (Netherlands) Into The Sea / 2005 / 30 sec. Courtesy of the Artist Curated by Timo Mank

Andrea Ackerman (US)

Rose Breathing / 2003 / 34 sec.

Courtesy of the Artist

mullaneyandackerman@earthlink.net
http://www.re-title.com/artists/andrea-ackerman.asp

My work uses digital technology to evoke a sense of a seamless transformation - digital to living or digital to human. I imbue objects with qualities not ordinarily occurring in nature creating a synthetic nature. In Rose Breathing, a 3D computer animation I did, a synthetic rose rhythmically opens and closes in human like respiration. The viewers own breathing becomes entrained with the undulating rose. This animation brings a new feminity and subtle slow emotionality to 3D character. I take specific aspects of the software and apply them in ways they were not intended, like using effects meant for movement clouds or waving flags on the rose petals or skin. Finding meaningful ways to use these cross category effects is essential to the evocation of a seamless transformation - digital to human. Rose Breathing was created using Maya and Pixar's Renderman. It is a 34 second loop with stereo soundtrack. Rose Breathing has been shown internationally and will be featured in a major upcoming show, Brides of Frankenstein at the San Jose Museum of Art July 30-October 30, 2005, curated by Marcia Tanner.

Sheila and Nicholas Pye (Canada)

The Paper Wall / 2004 / 10:30 min.

Courtesy of the Artists

sheilapye@hotmail.com

nickpye@hotmail.com

http://www.nickandsheila.com

Representations of androgyny, autoeroticism and the exploration of gender significance are the themes around which our work evolves. Through tableau constructions, we allow photography to present itself as a facade rather than a document. Our work is a dissection of sexual significance in which the camera is our primary tool of articulation. Over the past few years, our work has evolved from literal representations of theses issues, to an examination of the intimate. The subject of these photographic series is often ourselves, however this work is not portraiture. It carries on a discourse with the history of masquerade in photography. Using ourselves as models to portray several different guises, we create a visual dialogue between subject and object within the work. The portrayal of this ambiguous tone through sexuality is a compelling force for us to create this work. In our exploration of time based mediums and photography, we have been disappointed by the narrative forms, yet we are always drawn to the genre.

As multi-disciplinary artists, it is our attempt to dissect the conventional narrative and create a fresh approach. Our work seeks homogenize our chose medium of photography, film, and video in a innovative way. To critique and explore the boundaries of contemporary visual communication is essential to our art practices. There is no single way to think about a medium. To constantly investigate, probe, and materialize whatever surfaces is our most potent tool as artists.

Constant Dullaart & Anne de Vries (Netherlands)

Zakje (Bag) / 2005 / 50 sec.

Courtesy of the Artist

Curated by Timo Mank of the Archipel MediaLab

timo@archipel.nu

http://www.archipel.nu

Constant Dullaart (Leiderdorp, 1977). Park editor, artist and curator, attended the Rietveld Academy Amsterdam he presents his work on various film festivals, webportals and exhibitions. Award winner of the OneMinutes 'Best of the world' in 2003 and 2004.

Anne de Vries (Den Haag 1977). Artist, recently graduated at the Rietveld Academy Amsterdam. He has been presenting video, photography and installations internationaly in several exhibition spaces, museums and during festivals.

Jillian McDonald (Canada)

Screen Kiss / 2005 / 6:00 min.
Courtesy of the Artist

Curated by Trong Nquyen

jmcdonald@jillianmcdonald.net

http://www.jillianmcdonald.net

Jillian Mcdonald is a Canadian media and performance artist, living in New York where she teaches at Pace University. Her work has been shown recently at The Whitney Museum's Artport; 404 International Festival of Electronic Art in Argentina; BananaRAM in Italy; The Sundance Online Film Festival; TPW and YYZ galleries in Toronto; vertexList gallery in Brooklyn; La Biennale de Montréal; ISEA2004; and the Centre d’Art Contemporain de Basse-Normandie. In 2004 she received grants from The Canada Council for the Arts, Soil New Media, Turbulence, NYSCA, and Pace University. She is a 2005 artist-in-residence at Harvestworks in NYC.

I have inserted myself digitally into existing film clips, in effect changing the narrative and asserting a romantic relationship between myself and various celebrities.

Foregrounding what is in many ways already at the foreground of enthralled public consciousness, web-artist Jillian Mcdonald meditates on celebrity and North American celebrity culture, mining contemporary Hollywood movies before digitally reshaping their filmic narratives. Dislocating by remixing Hollywood's artificial string/network of sound and image effects, her work corresponds to a humorous fiction and obsessively persistent romantic fantasy regarding bad-boy movie star, Billy Bob Thornton. Re-writing and re-contextualizing not the ready-made but the already-made2, she actualizes in digital space and time her own disruptive, contrary scenarios from the already constructed signs of the screen. What activates Mcdonald's apparent transference of affection, her digital infidelity? Although having made herself over into a digital fiction active within a fiction, the real time Billy Bob, the man outside the illusion, refuses to desire her back. Positioned as the refused, she attempts here to kindle his desire by writing a new conflicting and even competing fantasy to make Billy Bob jealous.- Jack Anderson

Margarida Paiva (Portugal)

No Subject / 2002 / 3:40 min.

Courtesy of the Artist

Curated by Agricola de Cologne

margo@supermercado.no

http://www.supermercado.no

Margarida Paiva, born in 1975 in Coimbra, Portugal, is a young artist living and working in Oslo.

She received her 5 year degree in plastic arts and sculpture at the Faculty of Fine Arts at the University of Porto in 2000. During her studies she has been one-year guest student with a Erasmus grant at the Trondheim Academy of Fine Arts in Norway. She is currently taking a MFA in film and new media arts at the Oslo National Academy of Fine Arts.

Paiva works with video and installation and her work has been shown in several exhibitions and festivals. Selected shows: in 2005, Atopic at the Akershus Art Center in Lillestrøm, Norway, COURTisane Festival in Ghent, Belgium; Next Festival in Vilnius, Lithuania; and BZZZ Video featured at FIPA in Biarritz, France; in 2004, Video 2004 at the Bergen Kunsthalle in Norway; FIAV.04 in Milan, Italy; and The 3^rd International Kansk Video Festival in Russia; in 2003, FIAV.03 in Tavira, Portugal; Break 2.2 Festival at Ljubljana, Slovenia; and the Summer Exhibition at the Trøndelag Contemporary Arts Center in Trondheim; in 2002, Oeiras Image Festival in Lisboa; Penso Voltar at the Cultural Center Emmerico Nunes in Sines, Portugal; and To Play and the Monkey Business at Artemosferas in Porto; in 2000, Alchemies from the Thoughts to the Arts at the S. Francisco Convent in Coimbra.

In 2003, she has been awarded with an Honorary Mention at the FIAV.03, Festival of Video Art in Tavira, for her film No Subject made in 2002.

Margarida Paiva works currently with cyclical narratives that are made to be played in loop. These are video works that use the notion of cyclical time and are built with different repetition patterns, in an attempt to approach the Loop as a metaphor of life. Cases of personal traumas, amnesias, compulsive behaviors, psychosis, dreamstates, and routines are themes that are connected to the structure of the Loop.

Laurent Montaron (France)

The House of Dr. Marot / 2004 / 4:05 min.

Courtesy of the Artist & LMAKprojects

Curated by Melissa Schubeck

info@lmakprojects.com

http://www.lmakprojects.com/

Laurent Montaron, born in 1972, lives and works in Paris. His works has been included in numerous international exhibitions such as ‘I still believe in the miracle’ at ARC, Museé d’Art moderne de la Ville de Paris/ Couvents des cordeliers, Paris, 'Street Life' at Chez Valentin, Paris, “Radiodays” at De Appel, Amsterdam and at FA Gallery, London. Also, he had solo exhibitions at the Fond Regional d'Art Contemporain De Champagne-Ardenne, Reims, France; Centre National of Photographie, Paris and at Joymore Gallery in Brooklyn. Further one-person exhibitions are scheduled at La Galerie, Noisy le Sec, Paris in 2005/2006 His work has been written up in publications such as ArtPress, Beaux-Arts and Inrockuptibles, and he was a ISCP resident in 2004. His work is on view at LMAKprojects (Williamsburg) from July 1 - July 31.

Jason Archer & Paul Beck (US)

Homeland Hodown / 2004 / 2:00 min.
Courtesy of the Artist
Curated by Ed Marszewski

eyeballanimation@hotmail.com
http://www.jasonarcherpaulbeck.com/

Native Texans Jason Archer and Paul Beck are collected visual artists and Grammy winning directors. They have combined their talents to complete a series of socio-political films, artworks and a variety of music videos. The film list includes "The State of the Union" and "The Homeland Hodown" which was chosen by Radiohead to be included in the Brit-band's RadioheadTV DVD. Other films include "kenny", "jesse" and "straight up f*ckin". They directed and animated Molotov's "Frijolero" which garnered them a Video of the Year award by MYVLA and a Latin Grammy Award for Best Music Video. Other music videos include "La Paga" for Juanes, David Byrne's "The Great Intoxication" and recently, Molotov's new single "Hit Me". Both worked on Richard Linklater's "Waking Life".

Dick Tuinder (Netherlands)
Ulysses / 2005 / 5:30 min.
Courtesy of the Artist
Curated by Timo Mank

timo@archipel.nu
http://www.archipel.nu

Born at Hawai, 1963. Attended the Rietveld Academy Amsterdam and has been working as a director, scriptwriter and artist ever since 1992. Films screened at the International Film Festival Rotterdam: Goud (1993, short), De tijdreiziger (1995, short), Downstairs (1995, short, co-dir), Lifesavers (1997, short), Metro project (1997, short), Sonic Genetics (2000, short), Rimbaud in Amsterdam (2003, short).

Ned and Shiva Productions (US)
Salton City / 2004 / 4:00 min.
Courtesy of the Artist

info@nedandshivaproductions.com

http://www.nedandshivaproductions.com

Salton City, California, Once promoted as a resort on par with Palm Springs, the city today is surrounded by Martian-like mountains, rotten stench of hydrogen sulfide, thousands of dead fish and birds on the beach, and an unbearable heat above 100°F. Today's ruins of hotels, marinas, yacht clubs, and vast unfinished housing developments questions ideas of modernization and unlimited progress of urban development.

Our critique as all critiques begin. With doubt. Doubt became our narrative. Ours was a quest for a new story. Our own. As we grasped toward this new history driven by the suspicion that ordinary language couldn’t tell it. Our past appeared frozen in the distance and our every gesture and accent signified the negation of the old world and the reach for a new one. The way we lived created a new situation. Our exuberance and friendship. That of a subversive micro-society, in the heart of a society which ignored it. Art was not the goal, but the occasion and the method for locating our specific rhythm and buried possibilities of our time and discovering that true communication was what it was about or at least the quest for such a communication, the adventure of finding it and losing it. We the unappeased, the unaccepting, continued looking. Filling in the silences with our own wishes, fears and fantasies. Driven forward by the fact that no matter how empty the world seemed. No matter how degraded and used up the world appeared to us. We knew that anything was still possible and given the right circumstances a new world was just as likely as an old one. Text from Waking Life by Richard Linklater.

Critical Art Ensemble (US)

Evidence / 2005 / 5:00 min.

Courtesy of the Artists

cae@critical-art.net
http://www.critical-art.net/
http://www.caedefensefund.org/

Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics, film/video, photography, text art, book art, and performance.

Formed in 1987, CAE's focus has been on the exploration of the intersections between art, critical theory, technology, and political activism. The collective has performed and produced projects for an international audience, and has written five books: The Electronic Disturbance, and its companion text, Electronic Civil Disobedience and Other Unpopular Ideas, Flesh Machine: Cyborgs, Designer Babies, and New Eugenic Consciousness, Digital Resistance, and Molecular Invasion.

On May 11, 2004, Steve Kurtz's wife of 20 years, Hope, died of heart failure in their home in Buffalo. Kurtz called 911. Buffalo Police who responded along with emergency workers, apparently sensitized to 'War on Terror' rhetoric, became alarmed by the presence of art materials in their home which had been displayed in museums and galleries throughout Europe and North America. Convinced that these materials - which consisted of several petri dishes containing benign forms of bacteria, and scientific equipment for monitoring genetically altered food - were the work of a terrorist, the police called the FBI.

Jerelyn Hanrahan (US)

Water / 2002 / 35 sec.

Courtesy of the Artist

Jerelink@aol.com

My work integrates sculpture, installation and technology. Each project / work determines its own course, and the medium used , interactive media,, stone, wood,, cast aluminum ,concrete, and drawings are equal partners. I incorporate a conceptual approach developed through physical properties, often investigated through a series, and developed through drawings.. I have received support from the New York Foundation for the Arts, Sponsorship Program, Creative Time Inc, Lower Manhattan Cultural Council, NCR Media Systems, Burning Man Foundation, Thundergulch, Fondation Nestle’, Lausanne, Switzerland, The Burning Man Foundaton, Pro-Helvetia Arts Council of Switzerland, Stadt Bern project support, and the Puffin Foundation. Broadcast interviews on my public works have been aired on WPS1 Contemporary Art, MOMA, radio show , Arttalk. BBC, NPR, Toronto Radio, and Telli-Bern, Switzerland,. In 1997, a book of drawings entitled, Notations On A Trek was published by Scalo Edition (Andreas Zust). The book release was accompanied by a solo exhibition of drawings at Art Magazin, Rolf Muller Galerie , Zurich, Switzerland, and a reading of the text at the Drawing Center in New York.

Alexander Reyna (US)
Untitled 1-4 / 2005 / 4:20 min.
Courtesy of the Artist and Pablo’s Birthday Gallery

azimmermann@kastnernetwork.us
http://www.pablosbirthday.com

I see my art evolving from personal impressions and experiences that are given visual expressions using iconography from contemporary culture.

My art maintains a certain rotating stable of sampled imagery from mass media, art, and my personal environment. For this work I’ve been drawn to design, to other art makers and to motifs which have remained interesting to me since childhood. Usually this presents itself in the form of cartoons, magna, or decoration. The result usually combines seductive organic forms (such as flowers) with technology (such as robots), overlaid with idiosyncratic abstraction.

Reyna is currently an adjunct professor in the Computer Arts Department at the School of Visual Arts.

Agricola de Cologne (Germany)

Truth - Paradise Found / 2003 / 3:00 min.

Courtesy of the Artist

mpc@nmartproject.net

www.nmartproject.net

The video tells the story of the human desire to be as close to truth as possible. But who ever will succeed while living a life dominated by the fast running time and endless searching? If there is any paradise, then monks or people really resting within themselves find a paradise close to truth close to GOD. But it is only truth people are believing in. Is there absolute truth? The video consists of three sections, a spiritual and a physical section and the acting level, the artist who is filming the scene, an intruder who become witness of a ritual of truth. This basic video was recorded in 2003 at the Rila Monastery, the spiritual center of Bulgaria.

Agricola de Cologne is a virtual instance, a multidisciplinary media artist and creator and founder of [NewMediaArtProjectNetwork]:||cologne – www.nmartproject.net

As an artist, he had more than 100 solo exhibitions in cooperation with for than 70 museums throughout Europe, as a curator he organised between 1989 and 1994 several cultural projects in Europe and curates since 2000 the net based New Media projects of [NewMediaArtProjectNetwork]:||cologne

He is participating since 2000 in more than 100 media exhibitions and festivals around the globe (Biennale de Montreal 2004, Biennale of Electronic Art Perth/Australia 2004 , Biennale of New Media Art Merida /Mexico 2003, FILE 2001-2004, Videoformes 2001-2002-2003-2005, Art on the Net 2001, 2002, Mediaterra Athens 2002, ISEA 2002 Nagoya/Japan, SENEF Seoul 2004 & 2005 etc)

Miroslaw Rogala Ph.D. (Poland)
In collaboration with Ed Paschke and Ken Nordine
Artificial Intelligence / 2005 / 5:00 min
A Tribute to Ed Paschke 1939 – 2004
Courtesy of the Artist

rogala@rogala.org
http://www.rogala.org

In 1996, three artists joined forces to collaborate on A Study for Artificial Intelligence. Multimedia Theatre by Ed Paschke, Ken Nordine and Miroslaw Rogala. Work – in – Progress © 1992-2005.  Miroslaw Rogala’s photography, animation, video and time-lapse footage of the artist Ed Paschke at work, and Chicago legendary Word Jazz artist Ken Nordine’s musical recordings consist of this video.

Ed Paschke was born in 1939 in Chicago. Paschke learned to paint based on the principles of abstraction and expressionism. He received his Master of Fine Arts degree from The School of the Art Institute of Chicago in 1970. His work reveals a powerful interaction between humanity and technology capable of shaping perception at the most fundamental level.

Ken Nordine most creative work is reserved for his "word jazz," which marries liquid, free-association ruminations with jazzy instrumental backing. Active in radio since the 1950s, he's recorded numerous albums and syndicated broadcasts, and has even collaborated with the Grateful Dead.

Miroslaw Rogala is an internationally recognized media artist whose work is known for incorporating new interactive media and expressing a transformed and diverse sense of existence. His works have been exhibited internationally in 42 countries and are included in major global art institutions. Rogala is the recipient of a Ph. D. degree from the Center for Advanced Inquiry in Interactive Arts (CAiiA) at the University of Wales College (2000) and MFA degrees from The School of Fine Art in Krakow, Poland (1979) and The School of The Art Institute of Chicago, Illinois (1983). The artists latest works: Divided We See, premiered in Holland; Divided We Sing , an interactive sound installation, commissioned by the Pittsburgh Center for the Arts; and Divided We Stand/ Divided We Speak, a laboratory workshop for the large-scale Interactive Media Symphony in exhibition at the Museum of Contemporary Art in Chicago.

Mary Mattingly (US)

I Die Daily / 2005 / 5:00 min.

Courtesy of the Artist

mary_pnca@hotmail.com

http://www.marymattingly.com

Mary Mattingly's work defies the epoch in which she exists. It is somehow ethereal beyond ethereal; a vision of the future so clairvoyant and harmonized and beautifully rendered that the format she works in is barely recognizable as one of the present.

While in residence at Duende in Rotterdam, Mattingly delved into art prophesy as a comment on contemporary society. Developing a new rational for mobility and convenience, she introduced new modes of transportation and survival for the individual as an abstract concept and a modern reality. Although her portend may not overflow with optimism, the installation and videography she creates is gripping and visually compelling. Using a variety of installations, drawings on Plexiglas, video and Styrofoam, Mattingly's work will instruct and construct an environment of the future. It will be interactive and, with a bit of luck, frighteningly lucid.

Mattingly has studied at Parsons School of Design, New York, NY; Yale School of Art, Norfolk, CT; and PNCA, Portland, OR.

Marten Winters (Netherlands)

Archipel MediaLab

Into The Sea / 2005 / 30 sec.

Curated by Timo Mank of the Archipel MediaLab

timo@archipel.nu
http://www.archipel.nu

Born in Heerenveen 1969. Autodidact lives and works in Leeuwarden Frysland. His installations, paintings, drawings and video works are exhibited since 1991 in Holland and abroad. Among others at Serieuze Zaken/Rob Malash, Amsterdam, several film- and video festivals and at the Fries Museum in Leeuwarden.

Curator / Organizer

Lee Wells of IFAC (International Fine Arts Consortium)

lee@leewells.org

http://www.leewells.org

Born in 1971, he is an artist and curator currently living and working in Brooklyn, New York.

He has been an exhibiting artist for over 10 years and has participated in numerous solo and group shows, including exhibitions in New York, London, Paris, Rome, and Chicago. Most recently, in a solo exhibition at the Lab Gallery at the Roger Smith Hotel in New York and in a group show, Multiple Strategies, curated by Matt Distel at the Cincinnati Contemporary Arts Center, as well as Obiettivo Pax, at the Museo della Fanteria, dall'Accademia di Belle Arti di Roma, in Rome, Italy, Curated by Giovanna Minnicci.

In 1995, he co-founded IFAC in Chicago Illinois as an alternative exhibition and installation space for young and emerging artists. Before moving to New York City in 2000, through IFAC, he hosted and curated over thirty events. He recently co-curated with Nicole Dupont a group exhibition, called, The Art of Politics, at Ashmore Gallery in Miami Beach, Florida.
Currently he is co-curating a project called TransVoyeur for the 2006 Liverpool Biennial in addition to planning public art projects in Manhattan and Brooklyn.

His work and exhibitions have been written and reviewed upon by a number of national and international art and news publications to include: New York Arts, The Miami Herald, New Art Examiner, CNN, New City Magazine, Art Net, The New York Times, The Washington Post, The Chicago Reader and In These Times Magazine.

Curatorial Advisors

Agricola de Cologne of New Media Art Project Network (Cologne, Germany)
mpc@nmartproject.net
www.nmartproject.net

Agricola de Cologne is a virtual instance, a multidisciplinary media artist and creator and founder of [NewMediaArtProjectNetwork]:||cologne ≠ www.nmartproject.net

As an artist, he had more than 100 solo exhibitions in cooperation with for than 70 museums throughout Europe, as a curator he organised between 1989 and 1994 several cultural projects in Europe and curates since 2000 the net based New Media projects of [NewMediaArtProjectNetwork]:||cologne} He is participating since 2000 in more than 100 media exhibitions and festivals around the globe (Biennale de Montreal 2004, Biennale of Electronic Art Perth/Australia 2004 , Biennale of New Media Art Merida /Mexico 2003, FILE 2001-2004, Videoformes 2001-2002-2003-2005, Art on the Net 2001, 2002, Mediaterra Athens 2002, ISEA 2002 Nagoya/Japan, SENEF Seoul 2004 & 2005)

Timo Mank of the Archipel MediaLab (Ameland, Netherlands)
timo@archipel.nu
http://www.archipel.nu

The Archipel MediaLab operates from the narrow chain of islands between the Wadden mudflats and the open North Sea. Annually a digital Terra Nova is explored from the Lab’s base station, situated on the Dutch island of Ameland. Partly the explorations are an extension of Gallery-Hotel Dit Eiland - a place for contemplation and restoration. But more in general these ventures are intended to find a novel context for certain local values. The MediaLab is crewed by various artists, writers and musicians, united in the use of the internet as an unlimited free and vital space.

Curator Timo Mank (Leiden 1957) attended the Rietveld Academy Amsterdam, he is artist/hotel owner and co-founder of the MediaLab as artist in residence project. Lives and works on Ameland - Netherlands.

Ed Marszewski of Lumpen / Select Media (Chicago, US)
ed@lumpen.com
http://www.lumpen.com

Ed Marszewski is an artist and curator currently living and working in Chicago, Illinois. He is the founder of the Lumpin Media Group, Select Media and Version Festival.

Trong G. Nguyen (New York, US)
trong@arthijack.com
http://www.arthijack.com

Trong G. Nguy